Othello: Religious Motifs Essay

Ot the pitso Religious Motifs BY Cherrry678 Relationships in which people allow themselves to be manipulated through their weaknesses are truly flawed and have a gravid potential for failure. These gentleman kins can become tainted by Jealousy and rumours nurtured by deceitful individuals. Such is the situation in Shakespeares Ot snake pito, which depicts the tragic downfall of an obviously perfect relationship.Shakespeare uses images of promised land in the beginning of the play to emphasize the seemingly flawless whop in the midst of Othello and Desdemona. Furthermore, as the play progresses, the Juxtaposition etween heaven and hell is used to represent the manipulative powers of Iago over Othello revealing the weaknesses of Desdemona and Othellos relationship. As a result, the twisted heaven and hell imagery used dear the prohibit of Othello reflects the eventual break down of Othello and Desdemonas marriage.Thus, in Shakespeares Othello, the connotation of the religiou s motifs throughout are used to develop the idea that even the around loving couples have their flaws leaving them vulnerable to the destructive powers of Jealousy brought on by the manipulative influences of others, resulting in suspicion and ultimately betrayal. The seemingly perfect bask between Othello and Desdemona is initially emphasized by Shakespeares use of heavenly images. Through images of heaven, Othellos passionate do for Desdemona is revealed.After being accused by Brabantio of using enchantments to win over his daughters hit the sack, Othello swears against it assuring their love is authoritative And till she come, as truly as to heaven I do confess the vices of my blood, So Justly to your grave ears Ill present How did I thrive in this fair ladys love, And she in mine (1. 3. 122-126). Othello swears on heaven that his love for Desdemona and her love for him is not a esult of witchcraft, exactly the result of an secure love for one another. The image of heaven is used to emphasize that Othello conceptualizes that the love between him and Desdemona is as pure as heaven itself.To call their love heavenly shows an exaggerated passion between the two set ahead emphasizing the appearance of their perfect union. Similarly, Desdemona feels that the love between her and Othello is destined to be, and through Shakespeares use of divine imagery this point is emphasized. Upon arriving in Cyprus, Desdemona and Othello are reunited for the first time since their Journey The heavens keep/ But that our loves and comforts hould increase/ Even as our days do grow(2. 1. 190-192). For Desdemona to pray that nothing come between them and their eternal happiness shows a great deal of passion.Furthermore, to believe that their love leave only die if they die highlights the certainty in which Desdemona feels that their love is more than Just a coincidence, but rather fate itself. The intensity of Desdemonas feelings for Othello adds to the idea that their m arriage is ideal. Moreover, images of the soul illustrate Desdemonas love and her willingness to risk her entire being to be with Othello. When confronted battle her love for Othello, Desdemona reveals that her hearts subdued/ Even to the very quality of her lord. She saw Othellos visage in his mind, Did she her soul and fortunes consecrate (1. . 250-254). From the beginning, Desdemona has viewed love as a risk and challenge. She has violently uprooted herself from her fathers protection and the conventional expectations of Venetian society (Thomas Neely 96). Desdemona believes that a life full of risks and unknown dangers is worth life if she is by Othellos side. This complete devotion of body and soul reveals Desdemonas feelings of loyalty towards Othello. The rendering of her soul her whole entire being, wholly to Othello emphasizes the impeccable love between the two of them.Thus, through heavenly images the apparently perfect union between Desdemona and Othello is portrayed t hroughout the first scenes of the play. Despite the apparent perfect relationship between Othello and Desdemona, the flaws in spite of appearance their marriage are revealed through lagds manipulative powers as illustrated by the Juxtaposition of heaven and hell. Shakespeare uses lagds character to bring about the doubt in Othello and Desdemonas perfect heavenly love through mages of hell. During his first soliloquy, part of lagds plan is revealed l havet It is engenderd Hell and dark/ Must bring this monstrous birth to the worlds light(l . . 392-393). Desdemona and Othellos relationship is represented as the good in the world the light. For their relationship is that of perfection, they both love and trust each other with a deep passion. However, Iago is the opposite of this heavenly light and with him comes hell and corruption. When the characters meet, the sense of perfection is lost and human faults come into play. Furthermore, the Juxtaposition f heaven and hell illustrates t hat Iago is the tempter in Othello and Desdemonas relationship. After giving Cassio advice on how to approach Othello regarding his job, Iago reveals his true plan Divinity of hellWhen irritates will the b escapeest sins put on, They do suggest at first with heavenly shows, AS I do now (2. 3. 321-324). By comparing himself to a devil that appears innocent, Iago is revealing his ability to deceive those around him with a fapde of kindness. To interpret Iago as a devil in turn implies Iago is more than that a fiend whose fiendishness corpse unproven in the play (Christofides 19). Furthermore, the oppose of the heaven and hell further highlights the Machiavellian nature of Iago that allows him to manipulate those around him without feeling remorse.Consequently, Iago tricks Othello into believing he is an honest man, thus, giving him the ability to manipulate Othello. Moreover, there is a wish of trust between Othello and Desdemona which is made evident through comparisons to the dev il. Clearly, Othello is suspicious of something when he accuses Desdemonas stack of being hot, hot, and moist and requireing a sequester from liberty, fasting and prayer, uch castigation, exercise devout For heres a young and sweating devil here that unremarkably rebels (3. 4. 34-39).By accusing Desdemona of having a moist hand, a symbol of amorous nature, he is accusing her of being unfaithful. Othello believes that Desdemona is a devil who needs to repent for the crimes she has committed against him. However, Othello has no proof that she has done any harm he is simply accusing her based on lies told to absence of trust within their marriage. As a result, perverse images of heaven are used to show that lagds trickery has caused Othello to give up on those he loves. While Iago fills Othellos head with lies of Desdemona and Cassio together, Othello comes to the conclusion that is true. and all Othellds fond love thus doles he blow to heaven. Tis gone(3. 3. 444-446). By believin g what Iago says to be the truth in such a brash manner, a lack of confidence in Othello is revealed. This lack of confidence causes Othello to doubt other aspects of his life such as his relationship with Desdemona allowing Iago to further manipulate Othello. Therefore, Iago has the power to make Othello believe that Desdemona is being unfaithful to him thus, ausing Othello to lose all hope in his marriage. This loss of love is reflected through Othellos loss of religion.Therefore, lagds manipulative influences expose the true weaknesses within Othello and Desdemonas relationship which is reflected through contrastive images of the divine and damned. Furthermore, due to their marriages weaknesses, the eventual breakdown of Othello and Desdemonas relationship is reflected through twisted heaven and hell imagery. Through the ironic use of divine images it is shown that when he is overcome by Jealousy, Othellos sense of Justice becomes twisted. When confronted by Emilia, Othello give s reason as to why he killed Desdemona Cassio did top her.Ask they husband else. O, I were damnd beneath all depth in hell But what I did pass away upon Just grounds -ro this extremity (5. 2. 136-139). Othellos sense of morality is corrupted he believes that he is Justified in killing Desdemona because of her betrayal. Here, Othello Judges on behalf of paragon but, of course, the audience knows Desdemona has been misjudged, that the sword of justice should rightly 21) for Desdemona is innocent. Othello has been tricked by Iago into believing that he has the authority to choose what is right nd wrong.He then uses this authority misguidedly, resulting in the breakdown of his character and eventually his relationship with Desdemona. Additionally, the ironic reference to damnation further depicts Just how twisted his morality is for he believes that what he did was truly Just. Moreover, Shakespeare illustrates the contrast between Othellos assumed morality and his true crime by once m ore using images of heaven and hell. After Desdemona is dead, her virtuous nature is compared to Othellos O, the more angel she, And you the blacker devil (5. 2. 130-131).Othello lacks confidence within himself due to his differences, hich is emphasized through the use of a racial comment. However, these differences had meant nothing in the beginning, for the love between him and Desdemona was too strong. Consequently, Othello lets these differences get to him allowing Iago to manipulate him into losing the morality and honour he first possessed, reducing him to evil a devil in comparison to Desdemona. Resulting in the further breakdown of Othello and Desdemonas relationship. Ultimately, as a result of distrust and Jealousy Othello betrays Desdemona, as is depicted through the use of religious images.Emilia reveals to Othello the true calamity of his crime This deed of thine is no more worthy heaven/ Than thou wast worthy her(5. 2. 160-161). Othello so overcome by Jealousy and ange r is no lasting associated with heavenly his entire marriage to Desdemona and ultimately leading to his betrayal of her. However, since Desdemona is still associated with heavenly images, it emphasizes her loyalty which in contrast further underlines Othellos flaws and the tragedy of his betrayal. Thus, through twisted images of heaven and hell Othellos betrayal of Desdemona and its consequential ruin of their relationship is portrayed.The shift from positive to negative connotation of the religious motif throughout Othello is used to develop the idea that even the most loving couples can have their flaws manipulated by others allowing them to be overcome by Jealousy, resulting in a lack of trust and ultimately betrayal. In the beginning, heavenly images are used to illustrate an almost perfect love between Othello and Desdemona. Later, near the middle of Othello, the playwright uses contrasting images of heaven and hell to represent lagds manipulative powers over Othello revealing the flaws within Othello nd Desdemonas relationship.Thus, the ironic use of heaven and hell imagery near the end of the play mirrors the tragic breakdown of Othello and Desdemonas marriage. Since relationships are not perfect they can become easily tainted when left to the deceitful will of others. For when people allow their weaknesses to rule over their lives true tragedy ensues. It is up to those individuals to decide whether or not to let the lies brought about by others to affect them or not. This is the decision that ultimately determines the strength of a relationship, not the number of flaws within it.